suonix music group
oberdorf 6
5040 schöftland
phone 0041 61 976 2080
contact@suonix.com
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In the 90ies the band met Germany’s top producer Dieter Dierks, known for his productions with The Scorpions and Accept. It was "Love at First Tone" - "Subluxation" is the offspring of this complementary and fruitful collaboration. The band is wildly received in Europe, where they still tour extensively.
Mother's Finest Media Information |
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Mit feinen ausgeklügelten Texten, welche die Finessen des Alltags auf einzigartige Weise beschreiben, wird Nils Althaus, der junge Berner Mundartliedermacher, sein Publikum begeistern. Die Live-Aufnahmen lassen den Hörer in eine Welt eintauchen, in der sich so mancher wiedererkennt. Ob die Lieder ein Schmunzeln auslösen oder zum Nachdenken anregen spielt dabei keine Rolle - denn sie reflektieren die Lebensfreude des jungen Musikers. Diese erste CD von Nils Althaus erscheint unter dem Titel "Fuessnote" und wird vom Schweizer Label RecRec-Medien AG vertrieben. |
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BENISSIMO, 03.05.2008
INTERVIEW ON WBGO, 03.2008
10VOR10, 19.02.2008
Produced by Peter Wydler and David Gonzalez • co-produced by John Di Martino and Fred Hermann • recorded and mixed by Fred Herrmann at Basel City Studios, Basel
Musicians: Thomas Silvestri, Peter Wagner, Thomas Moeckel, Leon Duncan, Pius Baschnagel, Michael Flury, Osvaldo Aden, Thomas Gruenwald, Alex Hendrickson, Katharina Thomsen, Michael Wipf, Joe Barbato, Freeda Goodlet, Beja, Cynthia Scott, Gemma Gariel, Leszek Barnak, Marhta McAdams, Christoph Franzgrote, Etienne Abelin, Aleksandra Sendecki, Barry Finclair, Margareth Magill, Ann leathers, Marcel Zimmermann, Justin Kagan, David Kalhoun, Mathias Kuhn |
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Music by Tommy Fortmann named after the bronzes by Daniel Spoerri. Producer Dieter Dierks.
"Warriors of the Night" arises from reflections on the symbolism of numbers, transformed into music. The resulting composition for two pianos and drums is an unusual combination of contemporary "classical", played with the power and emotion of rock music, which also appeals to lovers of jazz.
The music of Thomas Fortmann does not subscribe to any particular school of thought. This lead to the development of a notably personal style, often uniting different, sometimes even contrary impulses of the modern. Formalistic ideas seem to serve him mainly as a method of transportation and play, resulting in very original ideas, like for example: the “complementary twelve-tone technique”. However, it is always important to him, despite the frequent use of complex structures, to directly communicate with the listener and to make a strong emotional impact. |